[Zürich] Inside Out @OnTour

Inside Out

In cooperation with the Institute for Computer Music and Sound Technology – Zurich University of the Arts

What happens when the everyday becomes raw material? When field recordings, the sounds of weather, urban noise, and the resonances of our buildings are no longer just background, but material for imagined soundscapes? This evening explores the thresholds between inner and outer worlds, between what surrounds us and what we make of it.
In the midst of an increasingly digital world, tonight’s works return to a sensual connection with concrete space: Teresa Carrasco weaves natural materials, cello, and whispered poetry into a sonic reflection of the Gotland cave Lummellundagrottan. In blur, Katharina Rosenberger lets nocturnal cities shimmer—like reflections of light on asphalt. And in his new work, Micha Seidenberg probes the boundary between inside and outside: Where does the body end, where does space begin? Here, sound becomes the membrane between the two.
This evening does not ask how art represents reality, but how it creates new realities. It opposes digital transience with a tangible sensuality—and invites us to listen more closely: to what often remains hidden in the everyday.

What happens when the everyday becomes raw material?
When field recordings, the sounds of weather, urban noise, and the resonances of our buildings are no longer just background, but material for imagined soundscapes? This evening explores the thresholds between inner and outer worlds, between what surrounds us and what we make of it.
In the midst of an increasingly digital world, tonight’s works return to a sensual connection with concrete space: Teresa Carrasco weaves natural materials, cello, and whispered poetry into a sonic reflection of the Gotland cave Lummellundagrottan. In blur, Katharina Rosenberger lets nocturnal cities shimmer—like reflections of light on asphalt. And in his new work, Micha Seidenberg probes the boundary between inside and outside: Where does the body end, where does space begin? Here, sound becomes the membrane between the two.
This evening does not ask how art represents reality, but how it creates new realities. It sets tangible sensuality against digital transience—and invites us to listen more closely: to what often remains hidden in the everyday.

Luis Antunes Pena (*1973)
Nomás (2015)
for Ensemble and Electronics

Séverine Ballon (*1980)
Chanst partagés (2023-24)
for Violoncello and Fixed Media

Katharina Rosenberger (*1971)
blur (2019)
for Ensemble

Teresa Carrasco (*1980)
Lummellundagrottan (2012)
for Percussion, Violoncello and nature elements

Micha Seidenberg (*1984)
New Work (2026) (UA)
for Ensemble and Electronics