BEGIN:VCALENDAR VERSION:2.0 PRODID:-//Ensemble Aventure - ECPv6.15.16//NONSGML v1.0//EN CALSCALE:GREGORIAN METHOD:PUBLISH X-WR-CALNAME:Ensemble Aventure X-ORIGINAL-URL:https://ensemble-aventure.de/?lang=en X-WR-CALDESC:Events for Ensemble Aventure REFRESH-INTERVAL;VALUE=DURATION:PT1H X-Robots-Tag:noindex X-PUBLISHED-TTL:PT1H BEGIN:VTIMEZONE TZID:Europe/Berlin BEGIN:DAYLIGHT TZOFFSETFROM:+0100 TZOFFSETTO:+0200 TZNAME:CEST DTSTART:20250330T010000 END:DAYLIGHT BEGIN:STANDARD TZOFFSETFROM:+0200 TZOFFSETTO:+0100 TZNAME:CET DTSTART:20251026T010000 END:STANDARD BEGIN:DAYLIGHT TZOFFSETFROM:+0100 TZOFFSETTO:+0200 TZNAME:CEST DTSTART:20260329T010000 END:DAYLIGHT BEGIN:STANDARD TZOFFSETFROM:+0200 TZOFFSETTO:+0100 TZNAME:CET DTSTART:20261025T010000 END:STANDARD BEGIN:DAYLIGHT TZOFFSETFROM:+0100 TZOFFSETTO:+0200 TZNAME:CEST DTSTART:20270328T010000 END:DAYLIGHT BEGIN:STANDARD TZOFFSETFROM:+0200 TZOFFSETTO:+0100 TZNAME:CET DTSTART:20271031T010000 END:STANDARD BEGIN:DAYLIGHT TZOFFSETFROM:+0100 TZOFFSETTO:+0200 TZNAME:CEST DTSTART:20280326T010000 END:DAYLIGHT BEGIN:STANDARD TZOFFSETFROM:+0200 TZOFFSETTO:+0100 TZNAME:CET DTSTART:20281029T010000 END:STANDARD END:VTIMEZONE BEGIN:VEVENT DTSTART;TZID=Europe/Berlin:20261007T200000 DTEND;TZID=Europe/Berlin:20261007T200000 DTSTAMP:20260912T224726 CREATED:20260820T072011Z LAST-MODIFIED:20260820T072011Z UID:10000102-1791403200-1791403200@ensemble-aventure.de SUMMARY:40th Anniversary Concert DESCRIPTION:Four decades of contemporary music. And not the least bit nostalgic. \nOur 40th Anniversary Concert is neither a retrospective nor a tribute. It traces a line of artistic commitments: curiosity\, risk\, collective listening\, and the willingness to let the ensemble’s own history become unsettled by the present. Origin and future\, memory and opening\, the familiar and the not yet known – not as opposites\, but as forces that shape oneanother. \nAlongside the anniversary season\, an exhibition will make four decades of ensemble history visible. Programmes\, photographs\, posters\, and documents from forty years of work come together to form a layered portrait of an ensemble that has left a lasting mark on contemporary music in Freiburg and far beyond. Not a closed archive\, but a story still being written. \nProgramme: \nAli Latif Shushtari (*1990)\nQuartet (2021)\nFor Flute\, Piano\, Violoncello\, and Percussion 8’ \nCarola Bauckholt (*1959)\nIn gewohnter Umgebung III (1994)\nfor Violoncello\, Piano and Video \nErin Gee (*1974)\nMouthpiece: Segment of the 4th Letter (2007)\nfor Bass Flute\, Clarinet\, Percussion\, Viola and Violoncello \nRebecca Saunders (*1967)\nvermilion (2003)\nfor Clarinet\, E-guitar and Violoncello \nThierry Tidrow (*1986)\nshelter (2019)\nfor solo piccolo \nMikel Iturregi (*1997)\nIsila bezain ilun (2024)\nfor Flute\, Clarinet\, Piano\, Percussion\, Violin and Violoncello \nPauline Oliveros (1932-2016)\nPapericity (2005)\nfor Laptoporchester (mit Publikumsbeteiligung) 7’ \nEnsemble Aventure:\nPhoebe Bognár\, Flutes\nAndrea Nagy\, Clarinets\nAkiko Okabe\, Piano\nNicholas Reed\, Percussion\nPhileas Baun\, E-Guitar (a. G.)\nFriedemann Treiber\, Violin/Viola\nEllen Fallowfield\, Violoncello \nAdmission: €20 / Reduced: €15\nFree entry for school pupils\, students & Freiburg Pass holdersTickets available at the evening box office or via:Verena.Fuchs@ensemble-aventure.de URL:https://ensemble-aventure.de/event/40th-anniversary-concert/?lang=en LOCATION:Elisabeth Schneider Stiftung\, Wilhelmstr. 17a\, Freiburg\, Deutschland ATTACH;FMTTYPE=image/jpeg:https://ensemble-aventure.de/wp-content/uploads/2025/09/ELZ04113-scaled.jpg END:VEVENT BEGIN:VEVENT DTSTART;TZID=Europe/Berlin:20261022T200000 DTEND;TZID=Europe/Berlin:20261022T200000 DTSTAMP:20260912T224726 CREATED:20260820T073548Z LAST-MODIFIED:20260820T074355Z UID:10000104-1792699200-1792699200@ensemble-aventure.de SUMMARY:The Queer Art of Failure DESCRIPTION:Failure can be an attitude.\nFailure can be a strategy.\nFailure\, perhaps\,\ncan be an art form. \nJ. Jack Halberstam’s idea of failure as a queer\, productive\, and transformative strategy inspires this project. Imperfection\, instability\, and non-linearity appear here not as deficits\, but as artistic procedures that undermine expectations of mastery\, progress\, and coherence. In collaboration with students of the Akademie für Darstellende Kunst Baden-Württemberg\, the performance creates a space in which composers and performers work across media and consciously allow the unpolished\, the provisional\, and the fragile. A sonic and performative field in which queerness becomes method: through disruption\, reinterpretation\, and persistent attempts that fail\, shift\, and begin again. \nFor Eloain Lovis Hübner\, repurposing instruments is a lived experience.. Their work asks what it means to “queer” musical instruments and their grammar. During their own gender transition\, these questions became concrete: while retraining their voice\, dey found themself in a practice familiar to many trans people – a conscious deviation from what “normal” sound production is supposed to be\, navigating tension\, control\, and loss of control. Failing. Continuing anyway. Their new composition for Ensemble Aventure transfers this experience onto instruments\, accompanied by recorded sounds of tenderness\, empowerment\, and quiet defiance. \nLaure M. Hiendl’s new compositions for solo clarinet and piano trio understand failure not as defeat\, but as a productive process. Digital sampling techniques are translated into acoustic chamber music: a fragment is isolated\, repeated\, and displaced until communication falters and something new can emerge. \nProgramme: \nLaure M. Hiendl (*1986)\nfor Piano Trio (2026) \nLaure M. Hiendl (*1986)\nfor Clarinet Solo (2026) WP* \nEloain Lovis Hübner (*1993)\n doll*etudes (2026)\nfor amplified Ensemble and Tape \nLove Carbin (*2002)\n Åter\, nära\nfor any number of instruments \nMalin Bång (*1974)\npalinode (2013)\nfor amplified Ensemble \nPerformances and interventions between the music pieces and partially in parallel \nEnsemble Aventure:\nPhoebe Bognár\, Flute\nAndrea Nagy\, Clarinete\nAkiko Okabe\, Piano\nSantiago Vilma\, Percussion\nIoanna Boutaldaki\, Violin/Viola (Guest)\nEllen Fallowfield\, Violoncello\nBeltrán González\, Electronics and Conducting \nWith second-year students of directing\, acting\, dramaturgy\, and motion design at the Academy of Performing Arts Baden-Württemberg (ADK Baden-Württemberg) \nAdmission: €20 / Reduced: €15\nFree entry for school pupils\, students & Freiburg Pass holdersTickets available at the evening box office or via:Verena.Fuchs@ensemble-aventure.de \nA collaboration between the Academy of Performing Arts Baden-Württemberg\, the Kunstmuseum Stuttgart\, Ensemble Aventure Freiburg\, and Musik der Jahrhunderte\, in cooperation with the Animation Institute of Filmakademie Baden-Württemberg. \nThe compositions are made possible by the Ernst von Siemens Music Foundation. URL:https://ensemble-aventure.de/event/the-queer-art-of-failure/?lang=en LOCATION:Elisabeth Schneider Stiftung\, Wilhelmstr. 17a\, Freiburg\, Deutschland ATTACH;FMTTYPE=image/jpeg:https://ensemble-aventure.de/wp-content/uploads/2025/09/ELZ04113-scaled.jpg END:VEVENT BEGIN:VEVENT DTSTART;TZID=Europe/Berlin:20261119T200000 DTEND;TZID=Europe/Berlin:20261119T200000 DTSTAMP:20260912T224726 CREATED:20260820T080154Z LAST-MODIFIED:20260820T080154Z UID:10000106-1795118400-1795118400@ensemble-aventure.de SUMMARY:DADA_remix DESCRIPTION:What was really sounding in the Zurich Dada soirées?The familiar story tells: a group of radical artists gathers in neutral Switzerland in the middle of the First World War\, provokes the bourgeoisie\, and shakes the art world. It’s a good story. It’s just not entirely true. \nThe music of the Zurich soirées was\, unlike the texts\, surprisingly tame. . Audiences applauded. Only the last of the eight soirées ended in uproar\, triggered not by music\, but by texts.. The most-performed composer of Zurich Dada\, Hans Heusser\, quietly disappeared into brass band music post-movement and never once spoke publicly about his Dada years. The supposedly internationalist movement helped itself freely to music and dance from the African continent.. And the women who contributed substantially to the movement were barely mentioned when the story was told later. \nDADA-Remix confronts these contradictions\, without reverence\, but with curiosity. \n  \nIlona Perger (1992*)\nMünder sind schwarze Löcher (2026) WP\nfor Ensemble and Voice \nFriedemann Treiber (1971*)\nPalimpsest (2026) WP\nfor Pianoquartett \nJalalu-Kalvert Nelson (1951*)\n“No. 5.” text Hans Arp (2026) WP\nfor Ensemble and Voice \nIrene Galindo Quero (1985*)\nNew Werk (2026) WP\nfor Ensemble and Tape \nEnsemble Aventure:\nPhoebe Bognár\, Flöte\nAndrea Nagy\, Klarinette\nAkiko Okabe\, Klavier\nNicholas Reed\, Schlagzeug\nFriedemann Treiber\, Violine\nMiho Kawai\, Viola (a. G.)\nEllen Fallowfield\, Violoncello \nAnne-May Krüger\, Mezzosoprano \nAdmission: €20 / Reduced: €15\nFree entry for school pupils\, students & Freiburg Pass holdersTickets available at the evening box office or via:Verena.Fuchs@ensemble-aventure.de \nSupported by URL:https://ensemble-aventure.de/event/dada_remix/?lang=en LOCATION:Elisabeth Schneider Stiftung\, Wilhelmstr. 17a\, Freiburg\, Deutschland ATTACH;FMTTYPE=image/jpeg:https://ensemble-aventure.de/wp-content/uploads/2025/09/ELZ04113-scaled.jpg END:VEVENT BEGIN:VEVENT DTSTART;TZID=Europe/Berlin:20261120T200000 DTEND;TZID=Europe/Berlin:20261120T200000 DTSTAMP:20260912T224726 CREATED:20260820T082944Z LAST-MODIFIED:20260820T082944Z UID:10000117-1795204800-1795204800@ensemble-aventure.de SUMMARY:[Zürich] DADA_remix @OnTour DESCRIPTION:What was really sounding in the Zurich Dada soirées?The familiar story tells: a group of radical artists gathers in neutral Switzerland in the middle of the First World War\, provokes the bourgeoisie\, and shakes the art world. It’s a good story. It’s just not entirely true. \nThe music of the Zurich soirées was\, unlike the texts\, surprisingly tame. . Audiences applauded. Only the last of the eight soirées ended in uproar\, triggered not by music\, but by texts.. The most-performed composer of Zurich Dada\, Hans Heusser\, quietly disappeared into brass band music post-movement and never once spoke publicly about his Dada years. The supposedly internationalist movement helped itself freely to music and dance from the African continent.. And the women who contributed substantially to the movement were barely mentioned when the story was told later. \nDADA-Remix confronts these contradictions\, without reverence\, but with curiosity. \n  \nIlona Perger (1992*)\nMünder sind schwarze Löcher (2026) WP\nfor Ensemble and Voice \nFriedemann Treiber (1971*)\nPalimpsest (2026) WP\nfor Pianoquartett \nJalalu-Kalvert Nelson (1951*)\n“No. 5.” text Hans Arp (2026) WP\nfor Ensemble and Voice \nIrene Galindo Quero (1985*)\nNew Werk (2026) WP\nfor Ensemble and Tape \nEnsemble Aventure:\nPhoebe Bognár\, Flute\nAndrea Nagy\, Clarinet\nAkiko Okabe\, Piano\nNicholas Reed\, Percussion\nFriedemann Treiber\, Violin\nMiho Kawai\, Viola (Guest)\nEllen Fallowfield\, Violoncello \nAnne-May Krüger\, Mezzosoprano \nSupported by URL:https://ensemble-aventure.de/event/zuerich-dada_remix-ontour/?lang=en LOCATION:Kunstraum Walcheturm\, Kanonengasse 20\, Zürich\, Zürich\, 8004 ATTACH;FMTTYPE=image/jpeg:https://ensemble-aventure.de/wp-content/uploads/2025/09/ELZ04113-scaled.jpg END:VEVENT BEGIN:VEVENT DTSTART;TZID=Europe/Berlin:20261201T200000 DTEND;TZID=Europe/Berlin:20261201T200000 DTSTAMP:20260912T224726 CREATED:20260820T082719Z LAST-MODIFIED:20260820T091802Z UID:10000109-1796155200-1796155200@ensemble-aventure.de SUMMARY:[Basel] DADA_remix @OnTour DESCRIPTION:What was really sounding in the Zurich Dada soirées?The familiar story tells: a group of radical artists gathers in neutral Switzerland in the middle of the First World War\, provokes the bourgeoisie\, and shakes the art world. It’s a good story. It’s just not entirely true. \nThe music of the Zurich soirées was\, unlike the texts\, surprisingly tame. . Audiences applauded. Only the last of the eight soirées ended in uproar\, triggered not by music\, but by texts.. The most-performed composer of Zurich Dada\, Hans Heusser\, quietly disappeared into brass band music post-movement and never once spoke publicly about his Dada years. The supposedly internationalist movement helped itself freely to music and dance from the African continent.. And the women who contributed substantially to the movement were barely mentioned when the story was told later. \nDADA-Remix confronts these contradictions\, without reverence\, but with curiosity. \n  \nIlona Perger (1992*)\nMünder sind schwarze Löcher (2026) WP\nfor Ensemble and Voice \nFriedemann Treiber (1971*)\nPalimpsest (2026) WP\nfor Pianoquartett \nJalalu-Kalvert Nelson (1951*)\n“No. 5.” text Hans Arp (2026) WP\nfor Ensemble and Voice \nIrene Galindo Quero (1985*)\nNew Werk (2026) WP\nfor Ensemble and Tape \nEnsemble Aventure:\nPhoebe Bognár\, Flute\nAndrea Nagy\, Clarinet\nAkiko Okabe\, Piano\nNicholas Reed\, Percussion\nFriedemann Treiber\, Violin\nMiho Kawai\, Viola (Guest)\nEllen Fallowfield\, Violoncello \nAnne-May Krüger\, Mezzosoprano \nTickets CHF 35.- / 25.- / 15.- free choice at the ticket office or online presale from 15.9.26 \nSupported by URL:https://ensemble-aventure.de/event/basel-dada_remix-ontour/?lang=en LOCATION:Gare de Nord\, Schwarzwaldallee 200\, Basel\, Basel\, 4058\, Switzerland ATTACH;FMTTYPE=image/jpeg:https://ensemble-aventure.de/wp-content/uploads/2025/09/ELZ04113-scaled.jpg END:VEVENT BEGIN:VEVENT DTSTART;TZID=Europe/Berlin:20270215T200000 DTEND;TZID=Europe/Berlin:20270220T200000 DTSTAMP:20260912T224726 CREATED:20260820T084617Z LAST-MODIFIED:20260820T084617Z UID:10000113-1802721600-1803153600@ensemble-aventure.de SUMMARY:[Distat Festival\, Argentina] @OnTour DESCRIPTION:Aftertext takes the idea of overwriting into the field of authorship itself. New works by Feliz Anne Reyes Macahis\, Kimia Koochakzadeh-Yazdi\, Cecilia Pereyra and Ana Gamboa. Commissioned by Distat Festival. \nThe programme begins from pre-existing musical works\, texts\, fragments\, and sound worlds. But these sources are not quoted from a distance. They are treated as living surfaces to be entered\, appropriated\, transformed\, and written through. The aim is not collage\, but re-inscription: a process in which original materials and concepts are absorbed into a new compositional language. \nWhat remains of a source when it is rewritten almost from scratch? Where does one voice end and another begin? Aftertext asks how musical memory can be transformed without disappearing\, and how a new work can emerge from the friction between inheritance and invention. \nIn cooperation with the Distat Festival\, Argentina URL:https://ensemble-aventure.de/event/distat-festival-argentina-ontour/?lang=en LOCATION:Distat Festival\, Choele Choel\, Río Negro\, Argentina ATTACH;FMTTYPE=image/jpeg:https://ensemble-aventure.de/wp-content/uploads/2025/09/ELZ04113-scaled.jpg END:VEVENT BEGIN:VEVENT DTSTART;TZID=Europe/Berlin:20270318T200000 DTEND;TZID=Europe/Berlin:20270318T200000 DTSTAMP:20260912T224726 CREATED:20260820T083611Z LAST-MODIFIED:20260820T083611Z UID:10000111-1805400000-1805400000@ensemble-aventure.de SUMMARY:Aftertext DESCRIPTION:Aftertext takes the idea of overwriting into the field of authorship itself. At the centre of the programme is a new work by Feliz Anne Reyes Macahis\, a commission by the Distat Festival. \nThe programme begins from pre-existing musical works\, texts\, fragments\, and sound worlds. But these sources are not quoted from a distance. They are treated as living surfaces to be entered\, appropriated\, transformed\, and written through. The aim is not collage\, but re-inscription: a process in which original materials and concepts are absorbed into a new compositional language. \nWhat remains of a source when it is rewritten almost from scratch? Where does one voice end and another begin? Aftertext asks how musical memory can be transformed without disappearing\, and how a new work can emerge from the friction between inheritance and invention. \nIn cooperation with the Distat Festival\, Argentina URL:https://ensemble-aventure.de/event/aftertext/?lang=en LOCATION:Elisabeth Schneider Stiftung\, Wilhelmstr. 17a\, Freiburg\, Deutschland ATTACH;FMTTYPE=image/jpeg:https://ensemble-aventure.de/wp-content/uploads/2025/09/ELZ04113-scaled.jpg END:VEVENT BEGIN:VEVENT DTSTART;TZID=Europe/Berlin:20270413T200000 DTEND;TZID=Europe/Berlin:20270413T200000 DTSTAMP:20260912T224726 CREATED:20260820T090230Z LAST-MODIFIED:20260820T090230Z UID:10000115-1807646400-1807646400@ensemble-aventure.de SUMMARY:Incantare DESCRIPTION:Byung-Chul Han describes information as something that does not form a closed narrative. . It does not provide a clear direction\, but appears additive\, fragmentary\, and provisional.. In this sense\, this programme does not focus on a narrative arc\, but on a constellation of signs\, gestures\, and residues. \nDiana Sohs Incantare: Take 2 gives the programme its title and its first image: music as invocation\, repetition\, and spell. Short gestures\, fragile syllables\, and sharply drawn colours become signs that return in different forms. In Isaac Roth Blumfield’s Outside\, prepared instruments open a more unstable space\, where familiar sounds seem to arrive from a distance\, already altered before they can be fully recognized. \nBoth works show\, by example\, how this programme approaches musical material: individual sounds\, gestures\, and colours are removed from their context\,transformed\, and brought into new constellations. Throughout the programme\, such events are preserved\, mirrored\, condensed\, or gradually worn away. Like scraps\, notes\, or mementos\, they appear side by side and invite us to perceive similarities\, ruptures\, and unexpected connections.. Listening does not follow a predetermined story\, but moves between recurrence\, transformation\, and open association. \nMusic by Katherine Balch\, Katarina Gryvul\, Oleksandra Katsalap\, Fernando Manassero\, Isaac Roth Blumfield\, Golnaz Shariatzadeh and Diana Soh. \nEnsemble Aventure:\nPhoebe Bognár\, Flute\nAndrea Nagy\, Clarinete\nAkiko Okabe\, Piano\nNicholas Reed\, Percussion\nFriedemann Treiber\, Violin\nEllen Fallowfield\, Violoncello \nAdmission: €20 / Reduced: €15\nFree entry for school pupils\, students & Freiburg Pass holdersTickets available at the evening box office or via:Verena.Fuchs@ensemble-aventure.de \nIn cooperation with \n \n  URL:https://ensemble-aventure.de/event/incantare/?lang=en LOCATION:Elisabeth Schneider Stiftung\, Wilhelmstr. 17a\, Freiburg\, Deutschland ATTACH;FMTTYPE=image/jpeg:https://ensemble-aventure.de/wp-content/uploads/2025/09/ELZ04113-scaled.jpg END:VEVENT BEGIN:VEVENT DTSTART;TZID=Europe/Berlin:20270415T200000 DTEND;TZID=Europe/Berlin:20270415T200000 DTSTAMP:20260912T224726 CREATED:20260820T091128Z LAST-MODIFIED:20260820T091128Z UID:10000120-1807819200-1807819200@ensemble-aventure.de SUMMARY:[SWR Kultur JetztMusik\, Rottweil] Incantare @OnTour DESCRIPTION:Byung-Chul Han describes information as something that does not form a closed narrative. . It does not provide a clear direction\, but appears additive\, fragmentary\, and provisional.. In this sense\, this programme does not focus on a narrative arc\, but on a constellation of signs\, gestures\, and residues. \nDiana Sohs Incantare: Take 2 gives the programme its title and its first image: music as invocation\, repetition\, and spell. Short gestures\, fragile syllables\, and sharply drawn colours become signs that return in different forms. In Isaac Roth Blumfield’s Outside\, prepared instruments open a more unstable space\, where familiar sounds seem to arrive from a distance\, already altered before they can be fully recognized. \nBoth works show\, by example\, how this programme approaches musical material: individual sounds\, gestures\, and colours are removed from their context\,transformed\, and brought into new constellations. Throughout the programme\, such events are preserved\, mirrored\, condensed\, or gradually worn away. Like scraps\, notes\, or mementos\, they appear side by side and invite us to perceive similarities\, ruptures\, and unexpected connections.. Listening does not follow a predetermined story\, but moves between recurrence\, transformation\, and open association. \nMusic by Katherine Balch\, Katarina Gryvul\, Oleksandra Katsalap\, Fernando Manassero\, Isaac Roth Blumfield\, Golnaz Shariatzadeh and Diana Soh. \nEnsemble Aventure:\nPhoebe Bognár\, Flute\nAndrea Nagy\, Clarinete\nAkiko Okabe\, Piano\nNicholas Reed\, Percussion\nFriedemann Treiber\, Violin\nEllen Fallowfield\, Violoncello \nIn cooperation with \n \n  URL:https://ensemble-aventure.de/event/swr-kultur-jetztmusik-rottweil-incantare-ontour/?lang=en LOCATION:Kunststiftung Erich Hauser\, Saline 36\, Rottweil\, Baden-Württemberg\, 78628\, Germany ATTACH;FMTTYPE=image/jpeg:https://ensemble-aventure.de/wp-content/uploads/2025/09/ELZ04113-scaled.jpg END:VEVENT BEGIN:VEVENT DTSTART;TZID=Europe/Berlin:20270625T200000 DTEND;TZID=Europe/Berlin:20270625T200000 DTSTAMP:20260912T224726 CREATED:20260820T092253Z LAST-MODIFIED:20260820T092253Z UID:10000119-1813953600-1813953600@ensemble-aventure.de SUMMARY:Where I end and you begin DESCRIPTION:Borrowing this title from Radiohead is already the concert’s first act of overwriting.. Nothing tonight is simply invented; everything begins from something found: a pop title\, a worn-out virtuoso gesture\, or the noise a room produces when an instrument listens to itself. These composers do not treat expression as something pure or untouched. They take existing sounds\, gestures\, and surfaces\, wire them into devices\, and leave the players to hold them at the edge of control. \nMusic by Sara Glojnarić\, Nicolas Roulive\, Stefan Prins\, Sebastian Claren (WP) \nEnsemble Aventure:\nPhoebe Bognár\, Flute\nAndrea Nagy\, Clarinet\nN.N.\, Bassoon\nAkiko Okabe\, Piano\nFriedemann Treiber\, Violin\nEllen Fallowfield\, Violoncello\nBeltrán González\, Elektronics \nAdmission: €20 / Reduced: €15\nFree entry for school pupils\, students & Freiburg Pass holdersTickets available at the evening box office or via:Verena.Fuchs@ensemble-aventure.de \n  URL:https://ensemble-aventure.de/event/where-i-end-and-you-begin/?lang=en LOCATION:Elisabeth Schneider Stiftung\, Wilhelmstr. 17a\, Freiburg\, Deutschland ATTACH;FMTTYPE=image/jpeg:https://ensemble-aventure.de/wp-content/uploads/2025/09/ELZ04113-scaled.jpg END:VEVENT END:VCALENDAR